Frustrate
Frustration is a method of coloring the root tribe brush of an oil brush. After pressing the brush, make it a little bit, and then move it up. For example, calligraphy goes against the front, vigorously and firmly. The difference of dipping color between the tip and the root of the pen and the different direction of the pen according to the weight of the pen can produce a variety of changes and interesting.

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Beat

The technique of gently tapping on the screen after dipping with a wide oil brush or sector pen is called patting. The beat can produce undulating texture, which is neither too obvious nor too simple. It can also deal with strokes or colors that are too strong to weaken.

Knead
Kneading refers to the method of combining two or several different colors on the screen in a straight line. After color manipulation, natural blending changes will occur to obtain subtle and bright colors and contrast between light and shade, and it can play a role of transitional cohesion.

Line
Lines refer to lines drawn with pens. Oil lines are usually drawn with soft pointed lines. But in different styles, round heads, proofreading and old flat pens can also draw thick lines like strong book centers. Oriental and Western paintings are all modeled with lines at the beginning. In early oil paintings, they are usually drawn with precise and precise line outlines. In Tempera's technique, line arrangement is the main means to form light and shade. Western  Oversized Canvas Art later evolved into light and shade and body-centered, but despite this, the factors in the middle line of oil painting have never disappeared. Slender and bold. The use of neat or arbitrary lines and repeated overlapping makes  Black and White Abstract Painting language richer, and the treatment of different shape edges is very important. The use of lines in Oriental paintings has also influenced the styles of many western modern masters, such as Matisse, Van Gogh, Picasso, Milo and Clifford.

Oil Painting
Oil painting is one of the main types of Western Large Black and White Art. Painting art on processed canvas, boards, thick paper or walls with fast-drying oils and pigments. Early oil paintings used Tempere painting, which used egg yolk or egg white as litter to dissolve mineral pigments, and then made thin and transparent oil cover on the painting. In the 15th century, the Netherlands painter Van Eyck brothers used linseed oil and walnut oil as blending agents, which made the color easy to blend and was widely used. It is characterized by freely moving pens, laying layers on layers, improving the brightness of colors, and fully expressing the reality of objects and rich color effects. Since then, new materials and techniques have spread all over Europe. The Van Eyck brothers are therefore called the creators of European Big Black and White Painting. At the beginning of the 20th century, more and more people studied oil painting in China. Li Shutong (1880-1952) was the first one to study oil painting and introduced various techniques to China.

Sweep
Sweeping is often used to connect two adjacent color blocks so that they are not too rigid. This can be achieved by gently sweeping with a clean fan-shaped pen when the color is not dry. It can also sweep up another color with a pen on the underlying color to produce the color effect of staggering up and down, loosening and not getting tired of death.

Stamp
Stamping refers to using a hard bristle brush to dip the paint vertically on the screen with the head of the brush. The method of stomping is not very common and is usually applied only when special texture is needed locally.

Emulsion material
Emulsion material is a kind of excellent traditional material with a long history, which has gained new development in modern times. Emulsion material is a kind of mixed material which contains both water and oil components. They have both advantages. All kinds of tempera painting materials such as egg color, cheese color and wax materials belong to the emulsion series. Emulsion materials can be diluted by water, drying fast, similar to water-based materials; can be used for opaque thick coating, dry insoluble in water, but also has the advantages of oily materials. All kinds of modern synthetic pigments of propylene and ethylene not only retain the characteristics of traditional emulsion materials, but also have the advantages of oily materials, and other materials have irreplaceable effects. They are new materials with great development prospects.

Oily materials
Oil painting is the main medium of painting using oily materials and natural resins. It is evolved from traditional emulsifier materials such as egg color and brewing protein. Oily materials are characterized by slow drying, luster and repeated coating. Oily materials have strong expressive power and rich technical effects, which can be said to contain almost all the technical characteristics of other materials and paintings. The characteristics of oily materials allow us to deeply and subtly depict the object's shape, which can show the rich and lifelike color relationship of the object, accord with people's desire to reappear the visual reality since the 14th century, and promote the development of Western painting to realism. Since the birth of oil painting, it has occupied a dominant position in the western painting world and developed all over the world, which also proves the superiority of oil-based materials. The transition from water-based materials to oil-based materials is a long process of change, which has gone through thousands of years. It is a major breakthrough in painting material techniques and even in the history of art. The use of oil and resin is one of the important characteristics that distinguish Western painting materials from eastern painting materials.

Pull
Pull refers to the oil painting sometimes need to draw strong lines and objects such as sharp edges, i.e. the side of the sword or glass. At this time, after adjusting the color with a knife, the color will be drawn on the screen with the edge of the knife. The shape drawn by the knife is solid and certain, which is difficult to achieve by brush or other methods.

Space  Extra Large Abstract Canvas Art is a kind of creation that sublimates to the level of art in the form of science. It not only requires the creator to respect the scientific facts, understand and grasp the current situation of existing scientific knowledge, but also requires the creator to exert his own imagination and resolution to improve scientific achievements and explore the course and find the future direction of development. It should not only go with science, but also take the lead in science. It can also be an inversion of space and time.

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The so-called abstraction: "abstraction is the"refinement"of rich sensory materials to be refined, to remove the false and retain the true, from which to which, from the surface to the inside of the transformation of the production effort. It can be seen that abstraction refers to discarding their non-essential individual attributes and extracting their essential commonness from many things, thus forming a concept or a symbolic symbol. It is the result of processing and refining from the common essence. Furthermore, we say Abstract painting, that is, compared with concrete painting, more concise extraction and generalization of the processing of things.

Yu Jingchuan, a space artist, divides space art into three categories: space science and art based on scientific research and fully abiding by scientific facts; space science and art based on scientific fantasy and predictive and forward-looking; and space science and fiction based on pure fantasy, which expresses the abstract space world, the inner world and the subconscious space intention of human beings.

Oversized Abstract Art in domestic space art has quite a part of abstract works. Different from foreign countries, domestic creations are often based on modern astronomical achievements, combined with the artist's imagination beyond the achievements, and combined with the artist's inner feelings. Compared with foreign countries, the famous British space artist Hardy's works, he likes to add historical stories or space fantasy to his creation, paying attention to the distribution and form of the combination, and the narrative and story of his works are stronger. The Oriental conservative tradition pays more attention to the inheritance of tradition, and likes to follow the essence of things, making things seem reasonable and reasonable. The picture shows the tone of the doctrine of the mean of Confucianism on the whole, which is more tactful and obscure than the bold, direct and thematic features of the westerners. The unique rendering features of traditional Chinese  Oversized Abstract Art are very suitable for expressing the emptiness of the universe, and also show the simplicity and innocence of Chinese painting. But in the choice of painting materials, the lightness of ink and wash also has its limitations in the expression of thick and heavy texture. This also promotes the exploration of more expressive techniques in Chinese space art.


In the form of oil paint,On the one hand, because of the high saturation of its own color, oil color improves the brightness of the picture; on the other hand, it is easier to express the thickness and space. The abstract oil painting creation of domestic space art mostly seeks a texture thickness to express people's guess about the unknown, and also seeks to express the understanding of the mystery of the universe on the color of light source. For example, in the Ice Age, the painter chooses texture to deal with his paintings, which makes the picture appear thick and visual impact is stronger. Skills of texture oil painting are not simple accumulation of oil paints. It requires clear conception and drafting before color creation. It emphasizes solid basic skills as the basis, and pays attention to the accumulation of sketch materials and ideas. This technique focuses on the production of the foundation, and reminds us of the  Big Abstract Painting creation of American painter Fei Xin. But Fei Xin's oil painting is influenced by Russian traditional Large Abstract Wall Decor. He chooses thick and fast-drying base material as the base, which is suitable for fast layers of thick performance. The texture of "Ice Age" combines wet and dry, but the diluted part allows the paint to flow on the screen, some natural, some artificial, fully combine the two to express the effect of nature. At the same time, it uses color contrast and shade contrast to interpret the big difference and pure reality of material color and shade between the universe.

For example, Professor Xu Jiang of the Chinese Academy of Fine Arts devoted himself to the creation of contemporary oil paintings, relying on the opportunity of the development of Chinese society, integrating the eastern and Western cultural ideas. He not only absorbs the experience of the West, but also makes a sober cultural review of the influence from the West and adopts a strategic response. So his works are not only different from Ma Yuan and Xiagui's attachment to things, but also different from Monet and Cezanne's visual impression. But Xu Jiang's works still pursue a historical and cultural heritage. Unlike Xu Jiang, most of the abstract oil paintings of space art in China are based on scientific knowledge and seek their aesthetic interest from a scientific perspective. The work is based on abundant astronomical knowledge and abundant astronomical materials and theories. In combination with the theory of "elephant invisibility" mentioned by Laozi's "Tao Te Ching", Mondriaan and the artist of Holland stressed the importance of subtracting secondary and incidental factors in pursuit of the essence of an image, and integrated into the works of Vasily Kandinsky in 1912. Black bow, 154 contains violent conflict momentum and tense anger, giving people vivid imagination, and even can feel the movement of space.

Black canvas artss-Thick drawing and thin drawing are also called dry drawing and wet drawing.Thick painting mainly refers to the process of painting in the process of toning with less water, Black and White Canvas Art covering with a thicker color, a larger amount of color.
And thin drawing method is to point to when drawing normally tonal thinner moist,Contemporary Canvas Art have the painting effect that water color dripping wet wet.Which is better, thick or thin?
How do you use it?Actually, thick painting and thin painting are often combined in gouache sketching.
Of course, there are also some authors who prefer to use thick or thin painting,Large Abstract Art which is also determined by their painting habits.In order to illustrate the different techniques and grasp their painting methods, we first talk about the characteristics of the two painting methods separately.
When thick drawing method is painted, dip in with the pen lubricious and full, mix water less, when representing an object picture, must next pen affirmation is powerful, brushstroke sense of direction is clear.
It is very suitable for the expression of the body turning clear, solid and thick objects, such as clay pot, hot pot, potatoes, fruits and so on.
In the expression of thick drawing method, besides thick heap and shaping method, permeable bottom drawing method can also be adopted.
This kind of method is the pigment on the pen although dry and thick, but dip in lubricious amount is not much, when using pen to draw, relaxed and fluent, cause the effect that breathe freely intentionally, the color that drops a pen
namely does not want to draw dead, picture solid, make the person feels very breathable, ground color can show between pen and pen, build the base tone tendency of this colorific area jointly.
This kind of gimmick can make or relaxed, lively, rich, vivid colour effect.HAND MADE LARGE ACRYLIC PAINTING CONTEMPORARY ART

Thin drawing method, it is the shop color of large area commonly, water color dripping wet, add next layer upon layer go.
When using thin drawing method, use color and water to want enough, a gas spreads big picture concern.
Move your pen quickly and decisively, or you will get a lot of water stains.
Thin painting is often appropriate for the performance of soft lining cloth, glass reflection, porcelain bottles, flowers or fruit, and so on, this will help to show the luster of objects and subtle color changes.
On the one hand, the choice of techniques to represent objects depends on the type of objects, and on the other hand, it is also determined by individual painting habits and preferences.

Thick drawing and thin drawing can be used to draw all kinds of objects.
Generally speaking, the color of dark ministry and the color of distant setting object should draw a few thinner, empty a few, the color of bright ministry and the color of close place object should draw a few thicker, solid a few.
This is easy to pull the color intensity before and after, but also in line with our visual experience.

 

 

 

There are many ways to start an oil painting.
One is to use charcoal bar to draft (transfer to canvas according to the composition of small manuscript),Large Canvas Art Sale the line should be light, light, the position of the object can be drawn, basic form.
Charcoal lane should not be too thick and too black, and do not have to be painted light and dark, so as not to contaminate the canvas.
Then use the extremely rare oil color (with a kind of oil color, be like lake blue, group green, ocher, ripe brown,Great Big Canvas  wait, via much quantity turpentine diluent, do not call white), resemble watercolor drawing to plan the composition of charcoal draft is fixed.
Then wipe off the charcoal trail with a soft old cloth.
Another method is to use thin oil color directly on the canvas.
When you are learning, you should use light and thin oil in order to modify it.


Four, spread big tune
To lay a big tune is to start formally coloring, before the next stroke should be observed to the object again, analysis, the picture of the performance of preconception and planning, so that they are in a comprehensive view of the overall situation, feel sure and very want to paint the impulsive state, then you can write.
When laying major, should use bigger pen, color still should compare thin, use white as far as possible less, phase adjusts color sort to should not exceed 3 kinds commonly.
Start from the dark part and shadow (compare the different dark part and shadow, start from the deepest dark place), the color should be saturated, calm and tendentious.
Shop is big tone by feeling more, starting from the overall, want bold, let go of some, capture in specific sources, tonal, formed in the environment of the relationship to big color piece, can temporarily relax some of the details don't have to take into consideration, the canvas also don't have to be all covered, set aside some gaps between the color piece and color piece also just as well (which, unlike gouache, gouache covered).
Laying a big tune is an important foreshadowing for expressing the color relation of the whole object,Large Wall Art which is the basis for deep description.
If you find that some of the color blocks are not properly laid, use a knife to boldly scrape (or re-wipe with a cloth) and relay until you are satisfied.
Shop after the big tone, can retain the color, also can put large tone color relations in mind, and the picture color with knife again, the picture color, thin, leveling the vaguely left some traces, facilitate in-depth characterization, a local, a locally at one time, make the brush appears complete, vivid.
Spread a big tune to choose a more abundant time, can act on one's courage by feeling spread better.
When you are learning oil painting, you often think that oil painting is easy to modify, can be scratched with a knife, and can repeatedly cover the color, so you do not pay attention to learning and mastering the process of painting.
This view is very one-sided and harmful.
It is easier to modify and cover, which is certainly an advantage of the oil painting tools and materials, but it does not mean that you can change them randomly and add color to them continuously.
Experienced artists attach great importance to the process of painting.
The steps of painting, the sequence and method of coloring, and the composition and treatment of the painted muscles are closely combined.
Although some excellent works are divided into many times, the strokes on the painting are tightly connected and natural and smooth. The color layer is from thin to thick with distinct layers, giving people a sense of one breath. The picture is vivid, vivid and complete.
On the contrary, at the beginning, I did not pay attention to painting steps, and randomly piled colors on the canvas. With messy pens, I could not say that I could not build beautiful painting muscles, and often made the work impossible. The final effect was not good.
Therefore, pay attention to learning and mastering the steps of painting from the very beginning.
The following is a general sketch procedure suitable for beginning study.
Once you have the foundation, you can use it flexibly.
The painting step of oil painting, watercolor painting, there are many similarities, can see the site related to talk about watercolor painting sketch content, through the different types of painting mutual contrast, to deepen the understanding of the characteristics of each painting step.
First, observe the idea
Before sketching, we should observe the whole object and select a good position according to the initial feeling.
Then further observation is made at the selected position to analyze the tone, light-color relationship, body structure and emotional appeal of the whole object.
At the same time, envision the big effect of the future picture, in the imagination of the observation, want to show the image fixed down.
And from composition, modelling, color, composition of draw muscle to specific skill, step, good consideration and plan.
It is just like a composition that has not been written yet, but it is clear about the whole idea of the subject and the structure of the paragraph.
Through such observation, feeling, conception, brewing, to achieve a desire to try, want to immediately start painting the passion.
Do not rush to write without thinking and planning at the first sign of indifference or the slightest feeling.
This tends to be quick to draw, and quick to finish -- to draw for a while without sufficient thought, or to change over and over.
2. Small drawings in color
The small color manuscript mainly solves the composition, the combination of the big color block and the tonality problem, does not require the detailed description need not be drawn.
Therefore, the picture should be small to avoid drawing details.
Common still life, landscape and character portrait, do not exceed 32 open, usable canvas paper.
The first is to solve the composition problem.
If the foundation is poorer, can use pencil (or charcoal pen, pen) on sketchbook or other drawing paper to make the experiment of many small composition first, the picture can be smaller naturally, resemble matchbox, cigarette box size is ok.
Compare them and choose the best.
Then on the oil painting paper for small color.
Make small color on canvas directly, color (commonly used color such as lake blue, group green, ochre, ripe brown etc.) dilute by turpentine oil into thin oil color, draw the object's general position on the picture, confirm composition.